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Captain Laserhawk’s Adi Shankar on multiverses, AI, and Rayman propaganda

Nov 08, 2023 - theverge.com
Adi Shankar, the creator of Netflix's _Castlevania_ and _Captain Laserhawk: A Blood Dragon Remix_, discusses his approach to adapting video games into series. He explains that rather than sticking strictly to the original canon, he breaks down characters into their essential parts and remixes them into something new yet familiar. He also discusses the challenges of convincing viewers to accept these changes, particularly when they have strong emotional connections to the original games.

Shankar also touches on the themes of his series, such as the dangers of mass surveillance, monopolization, and the pursuit of comfort leading to an apocalyptic nightmare. He explains that his goal is not to craft propaganda for or against any social movement, but to create a narrative that mirrors our own biases. He also addresses the accusations of "woke pandering" in his shows, stating that he doesn't approach the story with an agenda, but rather transcribes the world he sees in his head.

Key takeaways:

  • Adi Shankar, the creator of Netflix's _Captain Laserhawk: A Blood Dragon Remix_, discusses his approach to adapting video games into television series. He emphasizes his focus on deconstructing and reimagining characters and stories, rather than strictly adhering to the original canons.
  • Shankar explains that his vision for _Captain Laserhawk_ was not to create a straightforward adaptation of the video game, but to create a dystopian satire that deconstructs pressing societal issues. He also wanted to explore the concept of alternate histories and timelines.
  • He acknowledges that some viewers may be resistant to changes in characters they are familiar with from the games, but believes that once they watch the show, they will appreciate the layers and depth of the narrative.
  • Shankar also discusses the role of technology in society, the dangers of mass surveillance, and the monopolization of the American dream by large corporations. He sees dystopian science fiction as a way to present a counterpoint to the optimistic narratives often associated with emerging technologies.
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